{"id":434,"date":"2015-11-24T13:00:00","date_gmt":"2015-11-24T12:00:00","guid":{"rendered":"http:\/\/lesavoirpartage.org\/new\/2015\/11\/24\/24-11-2015-la-musique-au-20me-sicle-par-jean-pierre-mougin\/"},"modified":"2015-11-24T13:00:00","modified_gmt":"2015-11-24T12:00:00","slug":"24-11-2015-la-musique-au-20me-sicle-par-jean-pierre-mougin","status":"publish","type":"post","link":"https:\/\/lesavoirpartage.org\/new\/2015\/11\/24\/24-11-2015-la-musique-au-20me-sicle-par-jean-pierre-mougin\/","title":{"rendered":"24.11.2015 la musique au 20ème siècle par Jean-Pierre MOUGIN"},"content":{"rendered":"

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I. LES DERNIERS FEUX DU CLASSICISME ET DU ROMANTISME<\/font><\/span><\/strong><\/p>\n

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Quatre noms se détachent : Leoš JANÁ\u00c8EK (1854-1928), Gustav MAHLER (1860-1911), Richard STRAUSS (1864-1949) et Jean SIBELIUS (1865-1957).<\/font><\/span><\/p>\n

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Puisqu'il faut bien faire un choix dans cette présentation, je ne parlerai que du premier.<\/font><\/span><\/p>\n

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II. L'ÉCOLE FRANÇAISE<\/font><\/span><\/strong><\/p>\n

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1. Debussy et le mouvement musical français ; m<\/span>ais en quoi cette musique est-elle française ?<\/span><\/font><\/p>\n

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2. Claude DEBUSSY<\/font><\/span><\/p>\n

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3. Maurice RAVEL<\/font><\/span><\/p>\n

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III. L'ÉCOLE DE VIENNE<\/font><\/span><\/strong><\/p>\n

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1. <\/span>LA COMPOSITION DOD<\/span>ÉCAPHONIQUE<\/span><\/font><\/p>\n

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De l'atonalité au sérialisme, la technique sérielle.<\/font><\/span><\/p>\n

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2. <\/span>Arnold SCHÖNBERG<\/span><\/font><\/p>\n

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3. Alban BERG<\/font><\/span><\/p>\n

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4. Anton WEBERN<\/font><\/span><\/p>\n

<\/font><\/p>\n","protected":false},"excerpt":{"rendered":"I. LES DERNIERS FEUX DU CLASSICISME ET DU ROMANTISME Quatre noms se détachent : Leoš JANÁ\u00c8EK (1854-1928), Gustav MAHLER (1860-1911), Richard STRAUSS (1864-1949) et Jean SIBELIUS (1865-1957). Puisqu'il faut bien faire un choix dans cette présentation, je ne parlerai que du premier. II. L'ÉCOLE FRANÇAISE 1. Debussy et le mouvement musical français ; mais en quoi cette musique est-elle française ? 2. Claude Lire la suite<\/a>","protected":false},"author":1,"featured_media":435,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique","cat-20-id"],"acf":[],"_links":{"self":[{"href":"https:\/\/lesavoirpartage.org\/new\/wp-json\/wp\/v2\/posts\/434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lesavoirpartage.org\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lesavoirpartage.org\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lesavoirpartage.org\/new\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lesavoirpartage.org\/new\/wp-json\/wp\/v2\/comments?post=434"}],"version-history":[{"count":0,"href":"https:\/\/lesavoirpartage.org\/new\/wp-json\/wp\/v2\/posts\/434\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lesavoirpartage.org\/new\/wp-json\/wp\/v2\/media\/435"}],"wp:attachment":[{"href":"https:\/\/lesavoirpartage.org\/new\/wp-json\/wp\/v2\/media?parent=434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lesavoirpartage.org\/new\/wp-json\/wp\/v2\/categories?post=434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lesavoirpartage.org\/new\/wp-json\/wp\/v2\/tags?post=434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}